Monday, September 3, 2018
Musafir | Lyrical Song | Parwaaz Hai Junoon | Farhan Saeed | Zenab Fatimah Sultan
Presenting "Musafir" Lyrical Song - from the movie Parwaaz Hai Junoon. Parwaaz Hai Junoon a film by Momina and Duraid Films and HUM Films in association with Pakistan Air force, starring Hamza Ali Abbasi, Ahad Raza Mir, Hania Amir, Shaz Khan, Kubra Khan, Syed Shafaat Ali, Adnan Jaffer, Sikandar Vincent, Rachel Viccaji, Mustafa Changezi, Sabeena Syed, special appearance Marina Khan, Asif Raza Mir, HinaBayat, Shamoon Abbasi, Farhan Ali Agha and Rasheed Naz. Song: Musafir Singers: Farhan Saeed, Zenab Fatimah Sultan Lyrics: Shakeel Sohail Music by: Azaan Sami Khan Music Produced by: Saad Sultan Film: Parwaaz Hai Junoon From the makers of Bin Roye, Directed by Haseeb Hassan, Produced by Momina Duraid, Written by Farhat Ishtiaq and Distributed by HUM Films. To know more, connect with us on: #ParwaazHaiJunoon ✈ #Song #EidulAzha2018 #PHJ #HamzaAliAbbasi #HaniaAamir #AhadRazaMir #ShazKhan #Kubrakhan #NoSpeedNoThrill #MnDFilms #HUMFilms #PakistanAirForce #ReachForTheSkies Website: https://ift.tt/2Mkljte Facebook:- https://ift.tt/2ubYKyO Twitter:- https://twitter.com/phjthemovie Instagram:- https://ift.tt/2lXy9Ss ------------------------------------------------------------------------------- Main Urra Song - Specially for Independence day of Pakistan https://youtu.be/B1NUPOgaHfs Thaam Lo Song by Atif Aslam https://youtu.be/9eMekK3pq5U Parwaaz Hai Junoon Official Trailer: https://youtu.be/FJ2Fm-4CR5k Bhulleya - Official Lyric Video: https://youtu.be/98eipNsXLw0 ------------------------------------------------------------------------------- Operations: Asad Shah and Ghayas Uddin, Line producer: Farhan Rizvi, Production Coordinator: Ali Peer, Art director: Artlet team and J&S team, Associate director: Sami Rehman and Wajid Raza, 1st Ad: Nusrat Bibi, Styling and Makeup: Babar Zaheer, Costume design: Nomi Ansari, Music by: Azaan Sami Khan, Background score: Mohsin Allah Ditta, Music production: Saad Sultan, Dubbing by: Aikman Road Studios, Editor: Tanveer Alam, Visual promotions: Tanveer Alam and Mitesh Soni, Campaign design: Painted Lens, Post VFX and Grade: Kantana Post Production (Thailand), Technical and post production supervisor: Kashif Ahmed, Project head: Mahesh Waswani, Project Manager: Rabab Hassan and Scharjeel Sarfaraz, Vice president films: Osman Gilani, Director of photography: Kaka Tong and Farhan Hafeez and Additional DP: Salman Razzaq.
Likhay Jo Khatt Tujhay – A not to be missed affair

Olomopolo Media’s latest offering Likhay Jo Khatt Tujhay may have concluded its Karachi run after 3 shows but it was an excellent three-day event that was not to be missed.
Nominally priced at Rs. 1000 per ticket and performed in the Zia Mohyeddin Theatre at National Academy of Performing Arts (NAPA), it featured dramatized reading of Urdu Literature gems and although only 2 actors sat on the stage (with 3 musicians who provided the break and background music), the audience didn’t feel bored for a minute in the nearly 2-hour long performance.
Spotlight analyzes the highlights of the event and what made it a must watch affair that too on a usually busy weekend.
Sania Saeed’s perfect expressions and rendition
All those who have been following TV and theatre in Pakistan know that Sania Saeed is immensely talented and a gifted actress; she even surprised her die-hard fans by portraying renowned writer/poet Amrita Pritam, Safia Jan Nisar Akhtar, ABC and Nawabzada Fakhr-e-Alam Tusi all in the same sitting.
Her vocal and facial expressions were different every time she read a different letter showing to the current generation of actors how it is done. She was melancholic when Amrita, happy-go-lucky when ABC, sad-but-content when Safia and bureaucratic when FA Tusi. There was also a reading from Shafiq ur Rehman’s Mazeed Himaqatein where she enacted the role of a fiancée who wrote to her bride-to-be to clear the air regarding some ‘serious’ misunderstandings.
Tajdar Zaidi’s amazing command over his vocals
No one but Tajdar Zaidi (of Theatre Walay) could have complimented Sania better because he was from the same age bracket and had excellent command over his diction, expression, and emotion. He was a prick when the letter demanded that in Colonel Mohammad Khan’s Tusi Ka Tota while he was romantically confused as BCD in Fikr Taunsvi’s letter exchange; he read one of Josh Malihabadi’s letters on stage and captivated the audience whereas engaged the audience as part-time host as well who gave introductions and announced breaks.
Likhay Jo Khatt Tujhay… An Ode to Love… Faisalabad Teaser
Likhay Jo Khatt Tujhay… An Ode to Love… coming to Faisalabad next week! Did you get your hands on the tickets?Details:Featuring: Sania Saeed and #TajdarZaidiMusicians: #WajihNazimi, #ShahdabYousaf and #IrfanKhanWhen: 9 September, 2018 | Sunday | 7:30pmWhere: Nusrat Fateh Ali Khan Auditorium, FaisalabadTickets: PKR 1,000/-#OLOToursAgain #LJKTFSD2018 #SaniaSaeed #FaisalabadSpecial Thanks to Exclusive Official Media Partner: HUM TVExclusive Radio Partner:CityFM89Tickets available at Nando's Gloria Jean's Coffees Do-Burj FaisalabadScoopsSariya's Sip n BiteOaklay's BistroLatte e tèOnline ticketing: Bookitnow.pk
Posted by Olomopolo Media on Tuesday, August 28, 2018
A throwback to the Golden Age of Urdu Literature
Be it Tusi Ka Tota or Mangetar Ke Naam or real-life letters of literary giants, the play did more service to Urdu Literature than many theatre plays combined in Karachi. The many youngsters in the audience who weren’t aware of these big names exited the theatre keeping in mind the names of their next Google Search that will hopefully end up in a Book purchase. Everyone clapped when a humorous or a sarcastic monologue was rendered on stage and that’s what makes theatre the best medium to spend your leisure time as you can appreciate the brilliance, instantly.
Music that kept the audience engrossed
And then there was the live music featuring Wajih Nizami, Shahdab Younis & Irfan Khan who kept the audience entertained with their jugalbandi and slow music in the background. Priced at just 1000 rupees, the play was an amazing way to get entertained as it brought romance, humor, music, and sadness together. Director Kanwal Khoosat must be commended for a job well done and one hopes that they return to Karachi soon, with bigger, better and beautiful projects.
from HUM TV – Watch Dramas Online https://ift.tt/2PY8Kps
Kashmir 6th HUM Awards 2018 | Red Carpet | Promo
Watch the star-studded red carpet of Kashmir 6th HUM Awards 2018 8th September, Saturday at 7:00 PM on #HUMTV Kashmir 6th HUM Awards presented by Kashmir Cooking Oil & Banaspati, brought to you by Golden Pearl Cosmetics and Eighteen, in association with Nestle Lactogrow and Cadbury Dairy Milk. #HUMAwards #KashmirHUMAwards The Hum Award is a Pakistani accolade bestowed by the Hum Television Network and Entertainment Channel in recognition of excellence in television programming of Hum Television Entertainment, fashion and music industry of Pakistan. To remain updated about Hum Awards, subscribe this channel by clicking: https://goo.gl/d54FNC #MahiraKhan #AtifAslam #HareemFarooq #YasirHussain #SanamJung #AliRehman #BushraAnsari #AhmadAliButt #KubraKhan #HumayunSaeed #HamzaAliAbbasi #HumAwards2018 Stay here for more updates: https://ift.tt/2KOFtOj https://ift.tt/1oDD7OZ https://ift.tt/Mee9ax https://twitter.com/HUMAWARDS https://ift.tt/2KNWxEl
I play a very volatile and unpredictable character in Lamhe: Shaz khan

He may not be a new kid on the block but Shaz Khan’s professionalism makes him one of the most exciting actors to work with, be it films, TV or theatre.
The Parwaaz Hai Junoon actor wants to do meaningful roles on screen even if it means going the extra mile. At the moment he is basking in the success of Parwaaz Hai Junoon while the first episode of his new TV serial Lamhe was also screened to high ratings last week.
Spotlight got hold of Shaz Khan and spoke to him about his past, present and future projects, and why a New Yorker doesn’t find himself a fish out of water in the showbiz ocean of Pakistan.
How was the experience of working in Parwaaz Hai Junoon?
It might not be the right analogy but for me, the big-budget Parwaaz Hai Junoon was like the ‘Avengers of Pakistan’. Not many people know but my mamoon and nana (uncle and grandfather) were in the Air Force and I grew up around an Air Force family so I was naturally interested in the role of Nadir Kirmani, which I accepted as soon as it was offered to me. It was an irreplaceable experience because I was always interested in planes and attached to the Air Force.
How did Moor and Dobara Phir Se help you in establishing your identity in the film industry?
Moor will always be a special film for me because a) it introduced me to Pakistani cinema and b) because it provided me a chance to work with a director who didn’t care about box office success. Jami (the director) was creating something he wanted to from his own imagination and reminded me of the people I worked with in indie dramas and independent feature films in New York City. I will always be proud of that film as it gave me an insight into how things work in Pakistan. Dobara Phir Se had Mehreen (Jabbar) at the helm and had an ensemble cast for a story that she wanted to tell. I enjoyed being a small part of the film as it got me to work with the finest actors in Pakistan.
Tell us something about your role in Lamhe and what makes it different from your other work?
In Lamhe my character is quite volatile and unpredictable which is what makes it all the more interesting. The play has Saba Faisal and Zara Noor Abbas while I play Hashir an expatriate Pakistani who returns to Pakistan because his grandmother is sick.
The story revolves around him just finding his own roots and why he has to seek the help of his caretaker (Zara Noor Abbas) to fake a marriage to avoid a marriage. It was also a character that my mother – my biggest fan and critic – asked me to do as she found the character to be something right up my alley. It was more like the character of Ehsan in Moor but a lot different than Barrister Daniyal that was close to the perfect character that I will ever play in my career.
What made you come back to TV after starring in some of the better films made in Pakistan?
I had a very different idea of the Pakistani Television in the beginning, but at the end of Yakeen Ka Safar I realized that I am a storyteller and story matters to me the most. Pakistani stories are told in the best manner on TV and there was no reason for me to deny myself that opportunity.
Yes, some of the dramas do have crappy plots but that doesn’t mean that one should restrict himself to just films. We might actually be able to learn a thing or two from films because that’s exactly what people in the West do. In fact, India is doing the same these days with productions like Sacred Games and others and if they can do it, why can’t we?
We have heard a lot about Shaz Khan’s method acting; what makes you go the extra mile?
Some people call it unnecessary and some call me crazy but I try to do that with every role. The work you do beforehand always shows up on the screen be it in Moor or Parwaaz Hai Junoon. Flying in an Air Force jet gave me the chance to know how it felt in reality although my experience was nothing compared to the GD Pilots’ in real-life. It just helps me in understanding my character better when I am playing it.
from HUM TV – Watch Dramas Online https://ift.tt/2PXRHUu





